Henri Lamothe Belly Flops From Height Of

haiku.

5 7 5
metric we are in the center 7
in turn é s ES is nce

in of pm o bl e rs u
birds sing the beautiful sky of
eh golds he is gray

yawns a little poem
bonsai p oem e
Japanese haiku by the size

like to die laughing is proper to man to die is a close

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different. X

phenomenon inspired



the moment I stop paying attention to what
me back then, my reading, I feel the Annunciation
a cognitive event, listen. I still hear
indiscriminately but the shadow of a looming sharp
unknown truth, expect the horizon near future
and the imminent arrival of a new truth, let my soul
free and detached from everything so that this unexpected
s body longed to hang ...


The vases are empty and we hold the bottom.

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flashes.

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two round eyes
a blow deuy
Deuze ecce zeus

s érénad e .


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[ tatami ]

o y tsuki
c ata str ophe
co m it é a g ue rri
a u ta pis .

str.

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in sist ant s
inst a nts
in cess ants
is a one hundred

triplet.

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The only problem
With Haiku Is That You just get started
And Then

unknown author adopts r u
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a night focused on my leg e
hairiness fun r
incredible charm of the polar regions s
the appalling new ENFAN t

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here com m ent I see no mo of ocean
n of a m ertume
concessio n s eternal

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it is indispensable to me
how could I live without

is unthinkable how could I live without
as I have always lived without

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word yet precisely

currently


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- under the influence of emotion -
- within the scope of the instant -
- we say the words -
- one regrets on the field -

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top fir
quiproqu o
to o mber winds
wind in o mber


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o ign o ns.

co ent ul my eyes
bath

my nose I'm happy.

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as edema

I love you like crazy
skin problem

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'm everywhere I put myself

O m o nd.

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I went around me and I still

I remain perplexed
smug


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couple vacuum
domed
news - people
démarriage

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on my little cloud

just room for my happiness and you.

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written on the door plate
identity
ref. xoy
peephole invisible

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I scraped my mouth on the edge of sheets
scraped my solitude in search of a language
petty languid masturbation


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I tried to grope in the dark about what the office

note that I was trying to grope in this mess
my capture of what
dream.


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quatrains

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you been e f elicited e é
for this sweet madness
these moments flight e s a
fi è tinue English

what that e the constant am o
do nne moi l 'amo ur cassa nd re
est-ce b ys ance théophile
com me un port de plai sanc e

enclos de d em ain
fébrili té me ns ongè re
écho d es so uve nirs
p r e to of of st in

the premium ab o rd I was charmed
my only spokes n o was ir rev o
when I saw it was after
beauce o up time beauce o up esp o ir

time on we do not stay
flows like the skin of a swimmer on
time we leave nothing except
may be divided infinite.

strofka

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10 flashes.

dazzling

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conv OQU st s or her memories
trans gre sser border in the making tee naked
then visible in
has Prè s the the rms n o sees more clearly
irregular MÉ di cable men t

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I
playing time as a cert ins play the flute has
time I played a ith pen of

p has we

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the e r gard cha ng e
and c. o s cha ng es ent
the re g ard angel
ch ch ose s that he always che

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are not of ch o that of its ise nt
they are c. dares s who live and
is v ise nt : I thee im e

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love you so befitting
and I sawed so emaciated

that thinness is b it

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R yen n and ERT s to m entir
or t t t semblai Mieu x hie l'h r
Erbe is Tait p light v eTEN
the and t EMPs is Tait m eilleur

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read temp s cease
filer les sec where of couler
laisse venir
color days

back taste of incompleteness
impression of infinite disgust
Dept. rhyme

a Possible winter
do mine two finished tions
banks abilitées
s neck areas
a tree for a bridge rus

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seconds is where the we fleet timeless
his e m ouch wave dry hes
after Ej Acula
the time of calculation s

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dazzling

o str fka

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