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Seefeel Seefeel

return as planned and announced with Faults which caused it (good) earlier. The return of a project obliquely, musically exciting but remaining at a safe nuggets for those involved. Seefeel is a passing reference, the one that automatically acquiesce the connoisseur, always a little lonely, and one that systematically repeating the layman-"How you say it's called?". A secret well kept strangely, despite real and estimated papers once flattering. Quartet of origin, the resurrection of a self-scuttling keeps only half: the guitarist and mastermind Mark Clifford, who left on Disjecta task for 15 years, and Sarah Peacock, also a guitarist and singer, inflated by 'came from two Japanese that are the first drummer of the Boredoms and mentally challenged DJ Scotch Egg.

In the general idea, this new album Seefeel has more to do with their debut masterpiece with their succor, released in the mid 90s. While co-label with Autechre and Boards Of Canada (the last concert of the initial effected elsewhere in the company of the latter, one of some 5 or 6 gig BoC gave their whole career) their music, moose executed by a rock band (guitar / bass / drums) had not the slightest trace, much to put on their label and specialties, ambient, electronica or I do not know what else made from barks of sequencers and oscillators. Seefeel clings to his return to acoustic drums wildly (at least it sounds that way) and only reveals itself little variation in sound. This is also the bias for the strangest album which may be the biggest fault of the disc. The electronics allow a renewal of language always appreciated. On one song to another, the music changes her dress. Seefeel with the same recurring sounds, creating a sort of enclosure sound very special. The snare sounds toujorus identical. The bass also. And the sounds of keyboards, effects, distortions, too. The fact that music is more about building progressive and electronic equipment are therefore, in contrast to a dynamic rock, a kind of redundancy can also tire the listener. Yet the album from sounding tacky, noisy swamp and daring spatial and floats over the strange decision. Seefeel's music is surprisingly more concrete than succor, is go from a beginning to an end, has a goal. The disc appears to be a journey, with its pauses and intrusions of abstraction loud and long rhythmic epics. A partition long and segmented into chunks. And if there is actual bias, the overall production is no less powerful. Clifford and his band just recorded the bass lines from the most recently recorded on a massive groove. Bursts of noise and distortion remarkably shear the other elements. The air of nothing, especially, the album returns a sense of sadness, melancholy diffuse and widely discussed during the 11 segments. "Seefeel" presents a group that puts logically on the chessboard of innovative and exciting groups, offering a unique work (both in substance and form) and dark, yet thoroughly outlined.