Skam is not his first attempt at hip hop, you will remember Shadow Huntaz, training too little known, but more broadly as the emblems of the label or as Gescom Boards of Canada, where hip hop was (and probably remains) a significant portion of the construction noise caratérise their outings we took the opportunity to cross their fingers on a new album of BoC, but that is another story. Second part of a meeting started on Wordsound (Sensational meets Kouhei) 4 years earlier, this sequel comes conclude a busy year for Japanese release with the 3 disc release Important earlier on (and making us aware that Mr. Matsunaga is now present on the most prestigious music label exientes: Raster Noton, Important, Skam, Wordsound, Mille Plateaux ...). This second part of the encounter between disk Sensational and Kouhei seems to be in line with the recent work of Colin Julius Bobb, a hip hop funkier, more elastic, less murky and heavier than in the past. Examples include Acid & Bass. On the fifth song, the chorus is even pretend to think Funkee Homosapien, it is far from minimalist design and patient drooling Freak Styler of its first jets. It is still not so far from Outkast: The voice goes in all directions, play effects like echo and stereo, whisper in the ear of the listener with his vocal chords completely torn off by the crack characteristic Bobb first and immutable. And it's not Mastunaga will provide a setting defensible on MTV with this collaboration. More concrete than some of his recent work with shared Vainio and Booth, or even his solo album which was sometimes noisy digressions away in pure Koyxen sign a partition heavy and aggressive. But with all the dirt made with love makes good noise, the fact remains unchanged: this sequel to this little "je ne sais quoi" that makes (very) significantly less hermetic than its predecessor. "GH" looks like a battle in the street and caught iron in a sampler connected to a cable dusty. "SenKyx_st denis paris" seems to have been recorded in the French capital, probably in a hotel digs for the last touring together, and while burp 2-3 Sensational stuff, Kouhei quickly sketch a beat squealing with digital bonus. The penultimate song, which sees Black Chameleon invite each and D on the song sinks into an electronic trip due to a saturation parasite grueling as the beat or bass line keeps fighting tirelessly on the same grounds. We stay here in the music that pleases only slightly. The final piece looks like a cavalcade of sequencer, as a segment of Quaristice escaped from his original session and remodel an old thug armed with a microphone. We would have liked a little more, but the duration is meant as austere as the production and the cover-and we appreciate the return of the sticker in Braille.
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