Knowing the gentleman's career, one wonders what might push him to make a movie like The Green Hornet . By his own admission, it would be to make amends with his son to be a man too busy with his work ... Why not, after all. If Dad can have fun while working and by being forgiven by his son, there is no reason to forego such an opportunity.
The Green Hornet is the outset, a UFO in the genre of "super hero" who emancipated (a bit too perhaps See the trailer Thor or Green Lantern ...) on the screens since the early 2000s. Firstly, because nobody here really super powers. Ok, Kato is able to slow time when he jumps into the air to give Fulguro-foot kick in the nose of the wicked, but that's not really great. On the other hand, because the scope on the big screen adaptation of Jay Chou and Seth Rogen plays a paradox that Hollywood is beginning to really love: the revolt of the anti-hero scorned by lack of recognition and discovered a vocation defender of the oppressed.
Moreover, the central duo is also based on an original antagonism since the Asian sub fife is better known than the rich heir chubby. And above all it is much better in castagne in gadget, so pure intelligence. In short, a lot of good things that blurs a bit codes for an industry trying meninges and creators like Gondry.
All this offers a great place for actors. The whole point of the screenplay written by Seth Rogen is set before orgasmic verbal exchanges between characters, giving them great latitude comedy. Damage may be that humor Rogen fade over time through repetition almost Mechanical kidult schoolboy gay but small voltage is happening between the two is particularly well Weirdoes view. Too bad also that the scenario does not propose to Waltz to do something else than a clumsy imitation of his character as an officer in Nazi Inglorious Bastards.
Gondry himself, somehow avoids the pitfalls of large conventional generation. Chiche special effects, preferring any cost effects of additions to the shelf post-production, it focuses on the framing of its very own players and their vocal wanderings. It fights, it explodes, certainly, but with economy. Up the last half hour. Obviously wanting to return to his specifications, the French director adds in tons by multiplying the effects of which are running out and stick vanish one after the other.
It comes out pretty distraught. The Green Hornet meets the expectations of the most indulgent but left stunned those who expected a bit more wit. Unbalance the scenario and too focused on Rogen (who does not yet merit as) scuttled the psychology of supporting roles. We laugh a lot but do we differentiate the hearty laughter of laughter putassier, even indignant. And then there remains the problem of 3D. Needless to possible it offers no value to a film sufficiently spectacular for that ... So we're not quite sure that Gondry is done by forgiving his son ...
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