Audioactivism # 2 
I have always found the label was the Lyon during French Ninja Tune, or at least his answer with a French touch . The label oscillates between great ideas and agreed more signatures. The recent release of Kaly Live dub does not really excited me, but to the various collaborations instigated by the creative minds behind the label: Ez3kiel and Hint, or all these unreleased studio JFX released on EPs are fascinating. Jarring is a label that promotes the creation first, and the pool of artists who meet in the studio. Audioactivism gives pride to their love for hip hop generation and recompile pieces scattered on various EPs, but also new collaborations. The program included two pieces of Vagina Rush Rzatz (reviewed in these pages), two pieces of JFX studio session # 1 (al Picore and between different Mc's, whom bin oddatee and Sharp, as chronicled in these pages), a handful of songs from the latest releases and news Jarring. A nice way to bring together on one disc quantity of song in the same vein as the division for Big Dada Ninja Tune. We still insist on the beauty of the piece and Picore Oddateee decidedly magical with his tablecloth climbing reminiscent Daleks in its best frolicking industry while patiently waiting for the result of the helium of the people expected to arrive in 2011. Nice surprise that K The I?? raises his voice on a piece of Kaly Live dub, always in a flow to acceptable limits, but still innovative. Hip hop with big beats, they call abstract in their desire to differentiate themselves from the rest of the scene, but is a modern version of the latest trends grime or dubstep fused with flow over it. The waste on the song with John Morrison (Roots Manuva is not who wants) and the unpublished senbei quickly irritating. One bright spot for the initiative and the full tracklisting instead. They expect you to push them out of financial galleys. (Jarring Effects)
I have always found the label was the Lyon during French Ninja Tune, or at least his answer with a French touch . The label oscillates between great ideas and agreed more signatures. The recent release of Kaly Live dub does not really excited me, but to the various collaborations instigated by the creative minds behind the label: Ez3kiel and Hint, or all these unreleased studio JFX released on EPs are fascinating. Jarring is a label that promotes the creation first, and the pool of artists who meet in the studio. Audioactivism gives pride to their love for hip hop generation and recompile pieces scattered on various EPs, but also new collaborations. The program included two pieces of Vagina Rush Rzatz (reviewed in these pages), two pieces of JFX studio session # 1 (al Picore and between different Mc's, whom bin oddatee and Sharp, as chronicled in these pages), a handful of songs from the latest releases and news Jarring. A nice way to bring together on one disc quantity of song in the same vein as the division for Big Dada Ninja Tune. We still insist on the beauty of the piece and Picore Oddateee decidedly magical with his tablecloth climbing reminiscent Daleks in its best frolicking industry while patiently waiting for the result of the helium of the people expected to arrive in 2011. Nice surprise that K The I?? raises his voice on a piece of Kaly Live dub, always in a flow to acceptable limits, but still innovative. Hip hop with big beats, they call abstract in their desire to differentiate themselves from the rest of the scene, but is a modern version of the latest trends grime or dubstep fused with flow over it. The waste on the song with John Morrison (Roots Manuva is not who wants) and the unpublished senbei quickly irritating. One bright spot for the initiative and the full tracklisting instead. They expect you to push them out of financial galleys. (Jarring Effects) 
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