Behind this lies a pocket pink candy host hotel. These little candy tastes indeterminate between mint, strawberry and eucalyptus are also bland the smile of the receptionist. The album version begins rather well, with the ethnic rhythms and sounds that are added heavy gradually kick pattern on this oriental melody. The entry of the voice is even saving, as it escapes Possible pitfalls of the genre. It takes a hit, certainly. Stateless Unfortunately the rampage. The chorus is unbearable, sharp and plaintive, a domino dubstep sound. We add to that a programmer who has fun with his Roland, and the pattern of the top (you know, this pattern that makes noise when you move your hand above, kikoo loool), for purposes unknown. A nice package yet ravaged by lack of brevity. We pass on the first remix, which has also recently paid a Roland, which has the merit of being short. Dark Sky gives new life to the piece by wrapping a bit the tempo and giving the appearance of teuf jungle, making the vocal harmonies in completely too, and ultimately unbearable after six minutes. Yet the piece has a body dancefloor a little tuning could well appeal to fans of English Makina and other merriment (and yes, it can be grown as abroad). Second remix long for Midland's inflight, which gives a special flavor to the song. It oscillates between minimal house and electronica dream, somewhere between Four Tet's work, as if break had copulated with the last disc (also recommended). One begins the game and this labyrinthine piece is by itself the level of the maximum, and gives life to this piece. (Ninja Tune).
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